In his narration, he often refers to "humans" as if he is not one of them. The next moment he's hunting down and punishing murderers and rapists, and trying to stay one step ahead of the law. One moment he's a devoted family man, spending his days preoccupied with case files and blood samples and helping his colleagues catch the bad guys. Based on Jeff Lindsay's novel Darkly Dreaming Dexter, the series follows the main protagonist as he balances his twin lives. He was taught by his adoptive father, Harry (James Remar), to kill only those "who deserve it" mainly other killers who have escaped the legal system or were never suspected in the first place. He's the ultimate nice guy, who brings his co-workers doughnuts every morning, works hard, helps catch bad guys and will do anything to help his friends and family. Topflight guest stars like Keith Carradine, John Lithgow and Jimmy Smits fueled excellent season-long arcs.īut when Dexter moped in the finale that his life had been "a trail of blood and body parts" and branded as "a foolish dream" the notion of a happy life, the series, like Dexter, surrendered without cause."Dexter" is an American crime drama starring Michael C Hall as Dexter Morgan, a blood spatter pattern analyst for the Miami Metro Police Department. Hall in the title role and Jennifer Carpenter as feisty, foul-mouthed Deb. The "Dexter" ensemble was terrific, particularly Michael C. But the show was never afraid to take chances, most notably at the end of Season 6, when Deb discovered to her horror that the murderer she'd been chasing for years was none other than her own brother, and that henceforth she would be a party to his crimes. In short, Dexter has copped out.ĭuring its run, the series had its ups and downs, its great seasons and its forgettable ones. Just self-imposed exile.ĭexter has deserted his girlfriend and son as well as the city of Miami, which presumably could still benefit from his pest-control services. He receives no redemption, nor comeuppance, after his eight seasons of social deviancy. Thus does the series end with no suggestion of how Dexter is handling his murderous impulses in this new Paul Bunyan setting. In the closing moments, a bushy-bearded Dexter is found in what appears to be a lumber camp in the Great Northwest, haunted and alone worlds apart from sundrenched Miami. "I can't let that happen to Hannah and Harrison. "I destroy everyone I love," he said in a narrative voiceover. Then, after turning off Deb's respirator on the sly ("I can't leave you like this") he sneaked her body from the hospital and buried her at sea before wrecking his boat and faking his own death. Grief-stricken and guilt-ridden for not protecting her, Dexter finished off Saxon. She was left in a coma with no hope of recovery. Saxon shot Deb as she attempted to arrest him. Would he feel compelled to settle one last score, eliminating a serial murderer named Saxon, before he took his grateful leave? Or would he trust Deb and fellow Miami officers to see justice done?īy the end of the hour, Hannah (Yvonne Strahovski) and young Harrison were safe in Buenos Aires waiting for Dexter to join them.īut back in Miami, things had gone tragically awry. Could Dexter tear himself away from Miami with his young son to start a radiant new life in Argentina with his lady love, a sexy reformed murderer who needed to flee before local authorities nabbed her?
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With his brother Josef, Johann Strauss had composed the Pizzicato-Polka in 1869 for one of his several visits to Russia. It exhibits a ternary (ABA) form with eight-measure subsections and sometimes includes an introduction and a coda. A French dictionary of dance terms dating from 1847 describes the polka as having a tempo of 104 beats per minute with an emphasis on the second beat of the measure. The polka was very popular in the late nineteenth century and examples were penned by nearly every major composer of dance music, performed by almost all military bands and distributed in the form of sheet music throughout the world. Local musicians created variants of the dance, and in the 1850s in Vienna, the elegant Polka française and the lively Schnell-Polka developed. By 1843-1844 it was the favorite dance of Parisians and in May, 1844, it was first performed in the U.S. The dance was exported to Vienna in 1839 by a Bohemian regiment band, precipitating its rapid spread throughout Europe. Whatever its origins, it is certain that the polka first appeared in Prague in 1837. The name may be derived from the Czech pulka (half) or polska, the Czech word for a Polish girl. A couple-dance in 2/4 meter, it seems the polka developed in Bohemia as a type of round-dance with three short, heel-and-toe half-steps on the first three half-beats and a rest on the fourth. Tickets will also be available at the door.Some of the characteristics of the polka appear in music performed by and written for Bohemian village musicians around 1800 aside from this, the dance's origins are obscure. Children 12 and under are free but need a ticket, and a discounted ticket price of $30 is available for groups of 10 or more seniors ages 62 and up. Tickets are $40 for adults and $10 for youth 13–17. Finally, Tchaikovsky’s Fourth Symphony, known for powerful melodic and rhythmic themes that, in turn, represent fate, suffering, melancholy, happiness, and even whimsy (illustrated by pizzicato strings throughout the third movement) brings the concert to a rousing close.Īdvance tickets are available at the Lesher Center for the Arts box office (92) or by visiting. Composed for piano but revised for orchestra by Black composer William Grant Still after Price’s untimely death in 1953, the suite’s three movements-a rag in the style of Scott Joplin, a dreamy “nostalgic” dance, and a spirited “cakewalk”-take listeners away to an invigorating dance floor. Price’s Dances in the Canebrakes pays tribute to the dancing that gave relief to slaves after long days spent clearing thickets of cane. The program will be conducted by music director and conductor Matilda Hofman as well as “conduct the orchestra” auction winners Kathryn Crandell and Bill Rudiak. The orchestra is thrilled to bring Orinda native and extraordinary violinist Juliana Athayde-daughter of Bob Athayde, recently retired music director at Lafayette’s Stanley Middle School-back to the Bay Area for Mendelssohn’s masterpiece, described as “a vibrant source of pleasure.” The youngest person to be appointed concertmaster of the Rochester Philharmonic Orchestra, she is also associate professor of violin at the Eastman School of Music. Continuing the DSO’s Jubilation (60th) Season, the program begins at 2:00 p.m. 4 and, to honor Black History Month, Florence Price’s Dances in the Canebrakes, inspired by Black plantation songs and dances of the 1920s and ’30s. It may be winter, but warmth and energy fill the Diablo Symphony’s February 26 concert featuring Mendelssohn’s lyrical, virtuosic, and uplifting Violin Concerto in E Minor Tchaikovsky’s ultimately celebratory Symphony No. Other options are available depending upon the flavor of Office 365 Business or Enterprise. The pricier two options for both come with "full installed Office applications," which now include Office 2016 apps for PC and Mac, "on up to five PCs or Macs." Additionally, those options include 1TB of storage per user and digital storytelling tools. It requires an annual commitment to score on those prices of either Business or Enterprise flavors of Office 365. Prices for Office 365 Business vary from $5 to $8.25 to $12.50 per month, depending on the plan the same is true for Office 365 Enterprise, which is available for $8, $12 and $20 per month. The company calls Office 365 its "best Office value." Microsoft wants customers to embrace its cloud, so it is rewarding the 15 million users who already subscribe to Office 365 with regular updates and features, including Office 2016 apps and promised improvements to OneDrive syncing. Office 365 University will set students back $79.99 for a four-year subscription it can be used on two PCs, Macs, or tablets plus two phones and comes with 1TB of OneDrive storage, as well as full, installed versions of Word, Excel, PowerPoint, Outlook, OneNote, Access, Publisher. Office 365 Home and Office 365 Personal both include Office 2016 apps the Home version is $9.99 per month or $99.99 per year, while the Personal version is $6.99 monthly or $69.99 yearly. If that applies to you, then you may care less about what's new in Office 2016 than you do about how much it is going to cost you. Office 2010 is nearing the end of its lifecyle, with Microsoft scheduled to shut off mainstream support on October 13, 2015. In the 25 years since Microsoft made Office, it's grown to 1.2 billion users. It also didn’t help that each tune had 30 - 50 stems. I feel both as if I can’t do this and desperate to scrap what I have and try again. I knew this coming in of course but trying to control this on a professional level is really difficult when the stems I was using had heaps of issues, with blowing out and noise in the background. I noticed that once I removed noise (or resonant frequencies) most things sat together nicely, though overlapping peaks would multiply. There was a lot of banging my head against walls, I scraped the project at least four times and I’m still dissatisfied. Mixing this thing became trying to control the 200, 350, 450, 600, 1k, 2.5k and 3.5hz ranges. The 16 hours I booked in the tech studios left me we nothing except the ability to hear sound and music only in harmonic ranges. Registered Arturia customers will be eligible for a personal introductory offer, and can simply login to redeem. You’ll also be able to get the exclusive Spectrum Sound Pack for 19,99€/$ (worth 99€/$), for a limited time.įor new Pigments users, the latest version is available to buy with a 50% saving at 99€/$ (worth 199€/$), with the Spectrum Sound Pack included at no additional cost (worth 99€/$). The limited-edition Spectrum Sound Pack combines 5 unique sound banks, each including 100 presets, designed to exhibit Pigments 3’s vibrant features, from the new Harmonic Engine to the analog charm of the Jup-8 V filter.Ĭelebrate the launch of Pigments 3 with generous introductory offers and exclusive sounds for new and existing users alike.įor existing Pigments users, this update is free of charge. 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Pigments 3 introduces the boundless power of additive synthesis, an impressive utility engine with sub oscillator and dual noise sample players, the iconic filter from Jup-8 V, 4 incredible new FX including a multiband compressor, and so much more.Ĭombined with unparalleled DSP performance, a revamped audio routing system, and its signature vibrant visual workflow, Pigments 3 sets the new softsynth standard a producer’s playground, a composer’s workhorse, and a sound designer’s dream. The polychrome synthesizer has evolved into a state-of-the-art instrument that spans every shade of synthesis. Arturia introduce evolution of cutting-edge softsynth: Pigments 3 Senior Keyontae Johnson scored 13 points on 4-of-8 field goals, including 3-of-5 from 3-point range, and made both free throws while adding 4 assists and 2 rebounds in his return to college basketball after a near 2-year absence due to a medical emergency. The Wildcats have now won 24 of their last 26 season openers at home. With the win, K-State moved to 93-26 all-time in season openers dating back to 1903, including a 29-3 mark at Bramlage Coliseum. Figger spent five seasons (2007-12) at K-State as an assistant to then head coach Frank Martin, in which the Wildcats won 117 games and advanced to four NCAA Tournaments. Freshman Adante Holiman added 13 points off the bench. The Vaqueros, who are coached by former K-State assistant Matt Figger, were led by senior and Preseason All-WAC First Team member Justin Johnson's game-high 20 points on 6-of-12 field goals. The Wildcats scored 31 points off 26 Vaqueros' turnovers. On the defensive end, the team held UTRGV (0-1) to just 39.2 percent (20-of-51) shooting, including 29.2 percent (7-of-24) in the first half. The Wildcats had assists on 25 of their 30 made baskets. The lead grew to as many as 36 in the second half after Johnson knocked down a pair of free throws with just over 5 minutes to play.įor the game, K-State connected on 45.5 percent (30-of-66), including 44.4 percent (12-of-27) from 3-point range, and made 72.4 percent (21-of-29) of their free throws. The team connected on 51.5 percent (17-of-33) in the first half, including 56.3 percent (9-of-16) from beyond the arc. The lead ballooned to as many as 30 in the first half, as the Wildcats capped off their 52-point opening half with a 3-pointer from senior Tykei Greene at the buzzer. K-State was electric on both ends of the court to start the game, jumping out to a 15-3 advantage behind 3-pointers from Nowell, Massoud and Johnson. 14, 2014, while they are fourth-most in an opener in the last 25 seasons. The 93 points were the most by a K-State team in a season opener since scoring 98 against Southern Utah on Nov. 17, 2016, that six Wildcats scored in double figures. It marked the first time since a victory over Colorado State on Dec. "Before the game, I was a little emotional, but I knew the game was going to go so I had to keep going, just play and lay everything out for my team."Īnother fifth year Abayomi "Baybe" Iyiola posted 12 points and 5 rebounds off the bench, while senior Desi Sills and junior Ismael (Ish) Massoud each added 10 points. "I'm feeling good, just thanking God every day for giving me the opportunity to get here and play again just staying patient," said Johnson. He connected on 4-of-8 field goals, including 3-of-5 from 3-point range, and added 4 assists and 2 rebounds in a team-high 26 minutes of action. I was just thinking about okay, 'What are the three things I need to tell them so they can get out of here and go celebrate themselves and move on to the next thing,' and then I saw bottles and I was like 'Oh man here it comes.' I enjoyed it with them."įifth-year senior Markquis Nowell and junior Nae'Qwan Tomlin each had 14 points to lead the Wildcats (1-0), while fifth-year senior Keyontae Johnson scored 13 points in his triumph return to college basketball after a near two-year absence from medical emergency on Dec. "Yeah, I got doused pretty good," said Tang. Tang, who was hired as K-State's 25th head men's basketball coach on March 21 after spending 19 seasons (2003-22) helping build Baylor into a national powerhouse as an assistant and associate head coach, was engulfed and splashed by his new team in the locker room following his first official victory. – Kansas State ushered in the Jerome Tang era with an emphatic 93-59 victory over UTRGV on Monday night before an energetic crowd of 7,635 fans at Bramlage Coliseum, as six Wildcats scored in double figures en route to helping the team post their most points in an opener since 2014. Powerpoint output hd sdi decklink found at forum.millumin. 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